An introduction to BEST ACTRESS 1989
As usual, there’s a video at the end of the post to show I didn’t cheat with the draw. :) 1989 was actually one of my top choices, because I haven’t seen most of the films and I feel the year isn’t talked about enough [though I know some bloggers who have ;) ]. That being said, at the time of the draw (2 days ago) I had only seen Driving Miss Daisy. I am familiar with scenes from Fabulous Baker Boys and Music Box, but not with the films as a whole. I haven’t seen Camille Claudel and I only saw Shirley Valentine last night (it was GREAT). I don’t expect this to be the year with the most fabulous performances, but they’re all quite different.
There are no favourites for now and I’m prepared to be
surprised.
The 5 ladies that Oscar had chosen as nominees for 1989, in
alphabetical order:
Isabelle Adjani
as Camille Claudel, in Camille Claudel
Pauline Collins
as Shirley Valentine, in Shirley
Valentine
Jessica Lange as Ann
Talbot, in Music Box
Michelle Pfeiffer
as Susie Diamond, in The Fabulous Baker
Boys
Jessica Tandy as Daisy
Werthan, in Driving Miss Daisy
From the 5 nominees, only Adjani plays a real life person. Driving Miss Daisy is the only film of
the 5 to be nominated for Best Picture and, as it happens, it also won. This is
the part where I try to guess how they got nominated:
There were two clear front-runners before the nominations
were announced. First one, I’d say, was Jessica
Tandy. This must have been an easy nomination to get, judging from the
success of the film: Miss Daisy
received 9 nominations and ended up winning 4 Oscars. This was the first Oscar
nomination for 80-year-old Tandy, who had done some films in the past, but was
better known for her stage work, having won a couple of Tonys. She entered the
race having won the Golden Globe for Actress in a Comedy/Musical and minor awards
from the Boston Society of Film Critics
& the Kansas City Film Critics Circle.
She was also the unofficial runner-up for the New York Film Critics Circle and the National Society of Film Critics awards.
Another sure bet for a nomination was Michelle Pfeiffer. She entered the race having won the most awards
from the critics: the Golden Globe for Actress in a Drama and the recognition
from critics’ groups such as the National
Board of Review, the New York Film
Critics Circle, the National Society
of Film Critics, the Los Angeles Film
Critics Association and the Chicago
Film Critics Association. Those are basically all the important wins she
could’ve received. This was Michelle’s 2nd Oscar nomination, having
been nominated the previous year for her supporting role in Dangerous Liaisons.
If these two were locks,
the next 3 actresses weren’t such safe bets. Looking at the competition, it seems
like there could’ve been all kinds of combinations for the nomination list. I
think it’s safe to say next in line was Jessica
Lange. Prior to the Oscar nominations, for this role she had received only
a nomination for Actress in a Drama at the Golden Globes. However, given that
this is a serious role in a serious drama AND Jessica was a darling of the 80s,
I don’t think I’m wrong in suggesting she had the 3rd chance of
getting the 1989 Oscar nomination. This was Jessica’s 5th nomination
(and 4th in Leading), at that point having won just once, for her
supporting performance in Tootsie
(1982).
I’d say that Pauline
Collins was next, because I imagine she had the British voters on her side.
And she had just won the Tony award for playing Shirley on Broadway. So there
was some buzz around this
performance. Prior to the nomination, she had received just a nomination at the
Golden Globes for Actress in a Comedy/Musical. This was Pauline’s first time at
the Oscars.
And then we get to Isabelle
Adjani, who I hear is quite amazing in Camille
Claudel and she was a true movie star at that time, however there was
nothing to suggest her film was a success in the US, AND it’s a foreign
language film, AND she did not benefit from critics’ support (like it had
previously happened for L’Histoire d’Adele
H). But somehow she made it. Not that it influenced the Oscars, but prior
to the nomination she had won back in Europe awards from the César and the Berlin
Film Festival for this role. This was Isabelle’s 2nd Oscar
nomination, having been nomination 14 years before for Adele H.
I think there was a strong runner-up for a nomination and
two other interesting contenders:
6. Andie MacDowell, Sex,
Lies, and Videotape – Golden Globe nomination for Actress in a Drama, wins
from: the Los Angeles Film Critics Association (tied with Pfeiffer) and the Independent
Spirit awards.
Meg Ryan, When Harry
Met Sally...
Sally Field, Steel
Magnolias
Dark horses:
Ellen Barkin, Sea of
Love
Kathleen Turner, The
War of the Roses
Winona Ryder, Heathers
Kelly Lynch, Drugstore
Cowboy
Maybe got a couple of votes:
Liv Ullmann - The Rose
Garden
Annette Bening - Valmont
Annabella Sciorra - True
Love
Nicole Kidman - Dead
Calm
Susan Sarandon - A Dry
White Season
Cybill Shepherd - Chances
Are
:)
4 comments:
Yippee!! It's funny that you drew one of the years I was hoping for, and yet it's another year where I've only seen one. :\ I'm curious about Adjani though.
And I LOVE Pfeiffer. Probably more than I ought to, so I feel like perhaps you won't like her as much as I do. But it's a performance that I'm really really fond of, and one of my all-time favorites. Sucks she swept the NBR/LA/NY/NFSC/Globe and then lost the big one. I think she was the initial frontrunner since her film came out first, and then Tandy swooped in late a la Million Dollar Baby.
An interesting year. I'd say your guess on their nomination order is probably spot on, as are your reasons. I'm interested to see how they finish, obviously. Tandy wins the year rather easily for me (granted I haven't seen Pfeiffer).
It's a shame MacDowell's performance didn't get nominated. It's an even bigger shame s,l,av failed to receive any recognition whatsoever from the Oscars. It's easily Andie's best performance and, the movie is, in my opinion, Soderbergh's only truly great movie. I'd even go so far as to call it the best "indie" movie ever made, though that does depend on the definition of "indie".
Allen,
Not sure about Pfeiffer, have only seen 25 minutes of it. :) It CAN be anyone's win at this point, sometimes I favour an underdog. I definitely don't dislike Tandy and I doubt I'll think less of her performance the 3rd time I see the film (a very relaxing film that I like). She's 3 or 4 stars.
I actually don't think Tandy's win was too shocking, given all the factors in her favour. I bet they thought Michelle will be the next Meryl and have 10 other chances to win... :-/
Michael,
I haven't seen SLAV, but an Original Screenplay nomination in a very crowded category sure doesn't count as "any recognition whatsoever" ;)
Yeah, I dunno if I ever found a Soderbergh film "great", though I like Erin & Traffic quite a lot.
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